1. " [3] At the level of the subject, Draxler calls for directing attention to manifold antagonisms and acknowledging one's own involvement, rather than presuming a fixed dualism: here the revolutionary subject, there the state apparatus. The question would be - in allusion to a statement from Godard - not how one could make political art, but rather how one could make art political.

L'argumentation de Draxler m'a rappelé la relativisation du matérialisme historique d'Oliver Marchart, qui remarque: "Le but d'une société sans classes, transparente et sans exploitation implique selon Marx la disparition de l'antagonisme.