1. " [3] At the level of the subject, Draxler calls for directing attention to manifold antagonisms and acknowledging one's own involvement, rather than presuming a fixed dualism: here the revolutionary subject, there the state apparatus. The question would be - in allusion to a statement from Godard - not how one could make political art, but rather how one could make art political.

Die Argumentation Draxlers erinnerte mich an die Relativierung des historischen Materialismus von Oliver Marchart, der bemerkt: "Das Ziel einer klassenlosen, transparenten Gesellschaft ohne Ausbeutung impliziert für Marx das Verschwinden des Antagonismus.