1. Brechtian Alienation in Community Performance Eugen Berthold Friedrich Brecht, (b.1898-d.1956), known commonly as Bertolt Brecht, was a German poet and playwright

2. What does Brechtian mean? Of or pertaining to Bertolt Brecht (1898–1956), German poet and playwright, or his works

3. Its members also belonged to other art movements and groups during the Weimar Republic era, such as architect Walter Gropius (founder of Bauhaus), and Kurt Weill and Bertolt Brecht (agitprop theatre).

4. Increasingly concerned that the conventional, mainstream style of his plays was attracting a middle-class audience and not reflecting working-class subject matter, David Fennario turned to writing plays influenced by Bertolt Brecht, agitprop and cabaret.

5. However, as Bolt notes, Brecht did not always follow his own didactic technique.

6. 28 Brecht later worked out of this mould in his different epic theatre.

7. In "The Intellectual Beast Is Dangerous", Brecht asserts: "A beast is something strong, terrible, devastating; the word emits a barbarous sound."

8. You don't have to live with these Clangorous earsplitters by simply choosing the right components that result in blessed silence! Benchmark FTW: Usted no tiene que vivir con estos rompedores de tímpanos, simplemente debe elegir los componentes adecuados que resulten en bendito silencio!: The work of the hate-filled Bertolt Brecht, a pioneer in those contemporary director-theater travesties

9. He moved to Berlin 1925, where he composed for workers' choruses and agitprop groups and collaborated with Brecht (Die Maßnahme, Die Mutter) from 1928.

10. She was a "good samaritan" with a "Mother Courage" nature, referencing the Brecht character who believes she can do good in a bad world.

11. By using his theory of narrative drama, Brecht was unequivocally opposed to the traditional tragedy of the purification and resonance of thought, but not opposed to the tragic of drama.

12. Realism and the Cinema: Notes on some Brechtian theses Colin MacCabe Throughout his life Brecht conducted, together with a continually experimenting artistic practice, a sustained theoretical reflection on his own and other's work

13. Comes from a play that the director kept referring to as " Brechtian," in reference to Bertolt Brecht's theory of street theatre as the purest form of theatre, but which resulted in an awful play

14. 5 He thought that on the way to postmodernism, only through patricide, or rebellion against Brecht, could a kind of theatre that keeps abreast of the times and conforms to reality be created.

15. Dessau, believing that a progressive political philosophy should be reflected by progressive music, frequently composed experimental music that often utilized a freely atonal language, serialism, or Aleatoric elements. The Brecht settings of Paul Dessau (1894-1979)

16. Despite the work's grim subject matter, the screenwriters took a satirical approach, which some have compared to the work of Brecht, to both the bureaucratic world of its hero and the U.S. cultural colonization of Japan.

17. The Public Theater production was a new translation by playwright Tony Kushner (Angels in America), with songs in the Weill/Brecht style written by composer Jeanine Tesori (Caroline, or Change); veteran director George C. Wolfe was at the helm.

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