theorbo in Vietnamese

@theorbo /θi'ɔ:bou/
* danh từ
- (âm nhạc) têooc (nhạc khí)

Sentence patterns related to "theorbo"

1. Archlute definition is - a large lute : chitarrone, theorbo.

2. John Robison, Lute, Theorbo, and Archlute USF musicology professor John O

3. There is often confusion between classification of the chitarrone, theorbo and Archlute

4. Lute, theorbo, and Archlute in Italy, England, Germany, and France in the 17th and 18th centuries

5. Oboes Cooed like turtle-doves, the flute cast a pastel spell, and the theorbo rasped tellingly in the well-paced recitatives

6. Theorbo, large bass lute, or Archlute, used from the 16th to the 18th century for song accompaniments and for basso continuo parts

7. Archlute: A large bass lute, double-necked like the theorbo and chitarrone, and differing from them in the arrangement of the longer strings

8. The Archlute (Spanish archilaúd, Italian arciliuto, German Erzlaute, Russian Архилютня) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo.

9. The Archlute (Spanish archilaúd, Italian arciliuto, German Erzlaute, Russian Архилютня) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo

10. The Archlute (Spanish archilaúd, Italian arciliuto, German Erzlaute, Russian Архилютня) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo.

11. The Archlute (Spanish archilaúd, Italian arciliuto, German Erzlaute, Russian Архилютня) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo.

12. John Lenti's performances as a soloist and chamber musician on theorbo, renaissance lute, baroque lute, Archlute, and baroque guitar have been described as “a joy to behold” (Seattle

13. In this extraordinarily broad survey, Nigel North discusses the history of the lute, the Archlute, and the theorbo and gives practical advice on technique, the choice of instrument for particular music, and the preparation of scores

14. The definitive discussion was written by Robert Spencer, and additional useful comments by Nigel North are available in his 1987 book Continuo Playing on the Lute, Archlute and Theorbo (out of print, but copies are generally available)

15. In Archlute is a European plucked string instruments developed around 1600 as a compromise between the very large theorbo, the size and the reentrant tuning of the difficulties in the performance of Solo music, and the Renaissance tenor …

16. The Archlute (Spanish archilaúd, Italian arciliuto, German Erzlaute, Russian Архилютня) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of

17. Over a period of some three centuries there are plenty of references to gut-stringed instruments that resemble the harpsichord and imitate the delicate soft timbre of the lute (including its lower-sounding variants, the theorbo and chitarrone or Archlute) or the harp, but little concrete information

18. ‘The Archlute and the chitarrone or theorbo had, in addition to the strings on the fingerboard, open bass strings on an extended neck with a second pegbox.’ ‘Playing on an Archlute, Cherici also performed a second half of 17 th-century French music for the lute, the best of which was by Pierre Ballard.’