altoists in Vietnamese

danh từ
nghệ sĩ saxophon trầm

Sentence patterns related to "altoists"

Below are sample sentences containing the word "altoists" from the English - Vietnamese Medical Dictionary. We can refer to these sentence patterns for sentences in case of finding sample sentences with the word "altoists", or refer to the context using the word "altoists" in the English - Vietnamese Medical Dictionary.

1. Altoists - find the meaning, anagrams and hook words with Altoists and much more

2. 8-letter words starting with Altoists

3. Altoists; Two Letter Pairs in altoist

4. Altoists is playable in: Words With Friends 9

5. What does Altoists mean? Plural form of altoist

6. Altoists ; Other words with the same letter pairs

7. Altoists is a playable Scrabble Word! A list of words that start with Altoists for Scrabble that can also be used while playing Words With Friends

8. Altoist (plural Altoists) A person playing alto saxophone or some other alto instrument

9. Here's a list of words that begin with Altoists of all different lengths

10. The word Altoists uses 8 letters: a, i, l, o, s, s, t, t

11. The 3 Altoists are Sharel Cassity, Rajiv Halim, and Greg Ward all based out of Chicago

12. Along with a superb rhythm section, the three distinctive Altoists pay tribute to Parker’s legacy in the most apt fashion for…

13. Help us improve our definitions, add your own or improve one of these for the word Altoists as a noun.

14. Supported by her working band and featuring special guest "Altoists" Frank Morgan, Oliver Lake, Steve Coleman, Justin Robinson and Riley T

15. Spellman tells the stories of four oft-overlooked jazz artists of the Sixties: Altoists Jackie McLean and Ornette Coleman and pianists Cecil Taylor and Herbie Nichols.

16. The four members—Altoists Julius Hemphill and Oliver Lake, tenorist David Murray, baritonist Hamiet Bluiett—had met and worked together in various configurations on the downtown scene

17. In his review for Allmusic, Scott Yanow stated "generally hard-swinging and well-played, but the strong influence of Charlie Parker makes all of the Altoists sound alike"

18. Formed in 1982 and comprised of Altoists Bobby Watson and Ed Jackson, Rich Rothenberg on tenor, and baritonst Jim Hartog, the 29th Street Saxophone Quartet is hard bop's answer to the World Saxopone Quartet

19. A similar cry of urgency can be felt and heard in the playing of master musicians and fellow Altoists such as Jackie McLean, Gary Bartz and Kenny Garrett

20. One of the finest Altoists to emerge during the swing era, Smith became a popular attraction in the R&B world of the 1950s due to his record “ Read More

21. Unique among the best jazz saxophonists to come up in the late 40s and early 50s, Konitz was one of the few Altoists who wasn’t infected by Charlie Parker’s bebop sound

22. He traveled to Las Vegas to take part in a centennial celebration for Charlie Parker, the subject of his 2019 recording Bird at 100, a collaboration with fellow top-tier Altoists Gary Bartz and Bobby Watson

23. From the West Coast Jazz scene came Art Pepper; Phil Woods kept the bebop alto sound alive; Jackie McLean became the standard against which hard bop Altoists were measured; and Cannonball Adderley brought a …

24. Coltrane's influence was felt by the late '50s), Altoists Phil Woods, Jackie McLean and Cannonball Adderley, guitarists Kenny Burrell, Grant Green and Wes Montgomery, organist Jimmy Smith and pianists Horace Silver and Bobby Timmons

25. When coupled with odd time signatures and such exuberant soloists as Ellis, trombonist Glenn Ferris, tenor saxophonist John Klemmer (showcased on the remarkable "Excursion II"), guitarist Jay Graydon, Altoists Fred Selden and Lonnie Shetter, and tenor Sam Falzone, the …

26. His supportive and stimulating playing has uplifted a countless number of sessions and recording dates (most notably with the great Altoists Jackie McLean and Kenny Garrett) and he has led his own CD State of Emergency

27. Pianist George Cables, bassist John Heard, and drummer Jimmy Cobb aid and abet the Altoists' bop flights in mainstream fashion, and the presence of a live audience clearly pushes these horns into some exciting, ardent jazz territory.

28. Art Pepper, one of the major bop Altoists to emerge during the '50s, started his comeback with this excellent set, Living Legend.After 15 years filled with prison time and fighting drug addiction, Pepper was finally ready to return to jazz

29. Phone work places him behind only Benny Carter and Johnny Hodges among Altoists of the decade, stands out as the most capable of the group’s instrumentalists, but the contributions of Trummy Young, Eddie Durham, and Joe Thomas are also worth noting

30. Six different saxophonists (five of them Altoists) appear on the date (usually one on a song), and despite the diversity in styles (from Steve Coleman to Frank Morgan), their subsidiary roles and respectful playing find them all sounding fairly similar

31. While both Altoists had assimilated Birds message and shared stylistic origins, the kicks came in their approaches as soloists, with Woods tossing off long and nimble passages, while Quill rapped out bursts of melody, building climactic patterns out of these biting fragments and explosive phrases

32. Arrangements by the Altoists Benny Carter and Edgar Sampson gave the band a style that was advanced for the day, while Webb's brilliant sense of swing cemented the ensemble's popularity with dancers and made him the model for drummers such as Jo Jones and Gene Krupa.

33. The festival starts on the 27th with a celebration of what would’ve been Charlie “Bird" Parker’s 100th Birthday, titled “Bird at 100.” Alto saxophonist Vincent Herring invited two seminal fellow Altoists — Gary Bartz & Bobby Watson – to deliver Bird At 100 (Smoke Sessions) as a …

34. The idea of teaming up has been stewing in the two Altoists minds for a couple of years..they found that they felt comfortable in each other's musical company and that more flexibility and variety were possible in the sound of two altos than in pairings of most other instruments'

35. One of the most individual of all Altoists (and one of the few in the 1950s who did not sound like a cousin of Charlie Parker), the cool-toned Lee Konitz has always had a strong musical curiosity, leading him to consistently take chances and stretch himself, usually quite successfully.Early on he studied clarinet, switched to alto, and played with Jerry Wald.