schoenberg in English
noun
family name; Arnold Schoenberg (1874-1951), Austrian composer, creator of the twelve-tone composition technique
Use "schoenberg" in a sentence
1. One encounters a comparatively congenial Schoenberg here.
2. Schoenberg was a progenitor of modern music.
3. Examples from the Corpus Comparatively • One encounters a Comparatively congenial Schoenberg here
4. We can really thank Arnold Schoenberg for developing Atonality as a …
5. Schoenberg represented the other side of the dialectic: the abandonment of tonality.
6. 8 Schoenberg represented the other side of the dialectic: the abandonment of tonality.
7. Henahan seems to equate serialism, Atonality and the music of Schoenberg; these things are not synonymous
8. Operation in osteopetrosis, or Albers-Schoenberg disease, needs careful technique because of the brittleness of the bone.
9. One way is called twelve tone serialism. Composer Arnold Schoenberg developed this kind of Atonal music in the 1920s
10. In Example 105 Schoenberg creates a beautifully delicate harmony, which seems to float along on a distant astral plane.
11. Kandinsky was the friend and collaborator of the grandfather of abstract music, composer Arnold Schoenberg (1874-19, who also painted.
12. Eliot's Waste Land (19; the Cubist paintings of Picasso and Braque; and the 12-note music of Webern and Schoenberg.
13. Christian Arabas, who had recently completed eighth grade at River Dell Middle School, was killed in a boating accident, said Oradell Borough Council President Tracy Schoenberg
14. He goes on to discuss the 'schizophrenic' nature of the quartet, in which Renaissance polyphony, Baroque fugue, Classical sonata-allegro form, and the developing variation of Schoenberg, among other elements, all coexist within 'the most expansive and indulgent harmonic vocabulary ever invented,' namely the highly chromatic, contrapuntal, late-Romantic tonal language of Strauss, Mahler, Reger, and the young Schoenberg.
15. ‘As Schoenberg said, Atonality is rejected not because it is ugly, but because it is misunderstood.’ ‘Walton, who in early days dabbled in Atonality, eventually settled for neo-romanticism and his Viola Concerto is a most elegiac composition.’
16. In the introduction and first chapter of The Atonal Music of Arnold Schoenberg, 1908-1923, Bryan Simms shows us that Schoenberg's creative development unfolds a series of tight correspondences between composition and academic theory: theoretical assertions closely mirror his changing compositional approaches, in what appears to be a radical ambivalence.
17. Locating a genesis of Atonality In the introduction and first chapter of The Atonal Music of Arnold Schoenberg, 1908-1923, Bryan Simms shows us that Schoenberg's creative development unfolds a series of tight correspondences between composition and academic theory: theoretical assertions closely mirror his changing compositional approaches, in what appears to be a radical ambivalence.