mary shelley in English

noun

Mary Wollstonecraft Shelley (1797-1851), English writer, author of the classic gothic tale "Frankenstein" and wife of Percy Bysshe Shelley

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1. 25 Mary Shelley was just 18 when she wrote the horror masterpiece 'Frankenstein'.

2. The writer Mary Shelley said she had a very strong dream about a scientist using a machine to make a creature come alive.

3. [from 19th c.] 1818, Mary Shelley, Frankenstein: Mont Blanc, the supreme and magnificent Mont Blanc, raised itself from the surrounding Aiguilles, and its tremendous dome overlooked the valley

4. Douglas “Mary Shelley and the Saint Pancras Ghoul” in Curiosities #7 (steampunk, horror) Angela Enos “The Automat’s Automaton” in Curiosities #8 (weird, dieselpunk, bizarro-adjacent) JL George “Shards” in Curiosities …

5. The golem thus became a creation of overambitious and overreaching mystics, who would inevitably be punished for their blasphemy, very similar to Mary Shelley 's Frankenstein and the alchemical homunculus .

6. 1818, Mary Shelley, chapter 2, in Frankenstein‎[1]: I opened it with Apathy; the theory which he attempts to demonstrate and the wonderful facts which he relates soon changed this feeling into enthusiasm

7. These works, including first editions by popular Authoresses such as Charlotte Bront ë, Mary Shelley, and Jane Austen, not only verify that there was in fact a stigma, but also reveal the construction of authorship in the 19th century.

8. ‘Indeed, the Antivivisectionist ancestors of today's animal rightists attempted to stop the research of Louis Pasteur that led to the discovery of the rabies vaccine.’ ‘We meet early Antivivisectionists, such as Frankenstein author Mary Shelley and Anna Kingsford, who …

9. 1826, Mary Shelley, The Last Man, volume 3, chapter 10 Many nights, though autumnal mists were spread around, I passed under an ilex - many times I have supped on Arbutus berries and chestnuts, making a fire, gypsy-like, on the ground […]· Epigaea repens, the mayflower, the trailing Arbutus

10. However, the struggle lasted until 19th Century where many Authoresses would prefer to use men’s pen names for their publications, some of which including Mary Ann Evans (November 22, 1819 - December 22, 1880) disguised as George Eliot; Mary Shelley as Percy Bysshe Shelley; Charlotte Brontë (1816-1855), Emily Brontë (1818-1848), and Anne

11. The most eloquent summary of Mary Wollstonecraft Shelley's position in English letters is still Leigh Hunt's much-quoted couplet from "The Blue-Stocking Revels": "And Shelley, fourfam'd,—for her parents, her lord, / And the poor lone impossible monster Abhorr'd." Though recent studies have shown some appreciation of Mary Shelley by her own lights, the four "fames" Hunt mentioned have tended