altarpieces in English
They also painted altarpieces and easel paintings for collectors, and developed genres such as landscape.
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1. Altarpieces synonyms, Altarpieces pronunciation, Altarpieces translation, English dictionary definition of Altarpieces
2. They are often called Lübeck Altarpieces, because it was assumed that the Altarpieces …
3. What are synonyms for Altarpieces?
4. Altarpieces were multi-media, collaborative works
5. Synonyms for Altarpieces in Free Thesaurus
6. Some Altarpieces have both painting and sculpture.
7. Several technical terms are associated with Altarpieces.
8. What does Altarpieces mean? Information and translations of Altarpieces in the most comprehensive dictionary definitions resource on the web.
9. Definition of Altarpieces in the Definitions.net dictionary
10. Italian Altarpieces and Religious Sculpture of the 1300s
11. Altarpieces in Verona, Padua, Brescia It is less easy to fit the Altarpieces produced in other provincial cities into the pattern of development centred on Venice
12. The majority of this work was presented as either panels, single Altarpieces, or more complex Altarpieces, which were usually in the form of diptychs or polyptychs
13. Netherlandish and Spanish Altarpieces in the Late 1400s and Early 1500s
14. Regional variations are also analyzed, and the author examines Altarpieces' formal
15. · Altarpieces, Group X, No.3, 1915 Giclee Print by Hilma af Klint
16. Much like depictions of Madonna and Child, Altarpieces are central to religious art and iconography
17. Send Altarpieces - Sympathy Flowers today! Same day delivery to Dallas, TX and surrounding areas
18. Altarpieces generally came under fierce attack by Protestants out of their misunderstanding of Catholic tradition
19. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels.
20. Altarpieces from the Middle Ages are a feature of many churches along the coast of Norway
21. · Altarpieces, Group X, No.1, 1915 Stretched Canvas Print by Hilma af Klint
22. Focusing on Italian Altarpieces from the second half of the 13th century to the very end of the 15th, the book investigates the original functions and locations of Altarpieces as well as the circumstances of their dislocations, dismantlings, and reconstructions
23. Given their physical complexity and important social and religious functions, the conservation of Altarpieces presents considerable challenges
24. Altarpieces usually form the focus of devotion for worshippers and are normally decorated by painters and/or sculptors
25. ‘The painted retables and carved Altarpieces favored the ‘recollection, even the reliving of the moments of the Passion’.’ ‘Combining art and mass education, Lutheran artists also carefully redefined their own social role, now that the creation of statuary, frescoes, and Altarpieces was condemned as ‘idolatrous’.’
26. Painting, relief, and sculpture in the round have all been used in Altarpieces, either alone or in combination
27. Altarpieces, also known as retablos, are unique cultural objects in which a variety of artistic, technical, and material expressions are combined
28. Whether paintings, reliefs, or large sculptural works, Altarpieces were placed (as the name suggests) behind the altar in Christian churches.
29. This was important because Altarpieces, like this one, were usually closed or covered until the Mass was performed in front of them
30. You only have to visit some of the churches in Rome where his altarpieces hang to see what his naturalist art did.
31. Discover the history behind the Altarpieces in the Sainsbury Wing of the National Gallery Document The anatomy of an altarpiece: the polyptych
32. Altarpieces visualize and index the divine presence contained and invoked at the altar, while also drawing the beholder fully into that presence
33. Altarpieces were the primary form of religious art in Catholic churches from the 14th through the 16th centuries, both in Italy and Northern Europe
34. Many triptych Altarpieces in Northern Europe in the fifteenth and early sixteenth centuries were opened up on special occasions to reveal additional scenes inside
35. In museums, Altarpieces are the star attractions of Renaissance galleries, where they usually appear grouped together according to national schools (Italian, Spanish, Netherlandish, etc.)
36. A large body of art-historical literature has analysed shifts in the style and format of Altarpieces, or explored issues of patronage and liturgical use.
37. Great Altarpieces is a book for everyone with an interest in civilization and culture, art and history, and the role of religion in human affairs
38. While the Council of Trent called for the return to clearer forms of artistic expression, it did not set forth any particular regulations for Altarpieces.
39. Famous Altarpieces on display include the Deposition from Santa Trinita, the Annalena Altarpiece, and the main painting from the altarpiece from the adjacent San Marco church
40. What do Altarpieces show? There are three most common subjects, The Virgin Mary and Christ Child, Jesus crucified and Christ in Glory.These are three very important parts of Christian belief
41. Altarpieces, Liturgy, and Devotion By Beth Williamson in recent years medievalists in many disciplines have been considering the culture of religious observance as a physical and spatial phenomenon, as well as an in tellectual, devotional, and visual one
42. Altars, Altarpieces and art history - legislation and usage, Julian Gardner-- the creation, meaning and audience of the early-Sienese polyptych - evidence from the Friars, Joanna Cannon-- Sienese quattrocento painting in the service of spiritual propaganda, Gaudenz Freuler-- the social status of patronage and
43. "I tableau à hysseoires – A Panel with Two Wings: Altarpieces with and without Foldable Wings at the Time of Rogier van der Weyden." In The Master of Flémalle and Rogier van der Weyden, edited by Stephan Kemperdick, and Jochen Sander